May Need to Drop Back and Punt

Worked a bit on Predator Game last night. Trying to get a decent drum track.

I'm fighting against a couple of things.

For whatever reason, my monitor headphones, which I use pretty exclusively when recording to spare my neighbors as much as I can (Sometimes I end up working a chord progression dozens of times...I can't imagine how annoying that would be to someone who doesn't know why), kind of turn acoustic tracks into mush. On the monitors it sounds OK, not perfect, but I'm working with a track that is, in the main, just for me to play drums to. I find myself struggling to hear where I am in the song.

The other factor in that is inhearant in how I record. When I'm playing, it's not with anybody but myself on "tape." There are no visual cues to follow, as you would have playing with a band. Not impossible, but I didn't make it easy. I, in an attempt to break up the tempo a bit, added in some transitional stuff between sections. Nothing too fancy, but the beat I'm working with on the drums is a 2-bar cycle, and when I drop in a single bar of transition - that I'm having trouble hearing - it can get me off track pretty quickly.

So, at this point, I am weighing the pros and cons of changing the song. It's just transitional sections, so the main parts Verse/Chorus/Bridge/Lyrics/Melody should be unaffected. The other thing is that this number, witch is designed to be acoustic with an electric lead, may just sound better with a consistent beat. I may like music that jumps around a bit rhythmically, but I know it's jarring to many ears. While this is mainly a hobby, something I do for myself, I enjoy it when people actually like my stuff.

I'll be digging in to it soon. I feel on the cusp of solving the question/problem, and getting some forward momentum.

While on this subject, I want to sing the praises of some freeware I've been using, Power Tab Editor. For a self-taught musician like myself, who neither reads or writes notation, putting down what I'm playing so that it can be replicated has always been a challenge. On the off chance that I ever play live, I'd have to be able to show people (and myself) how to play my stuff. This software is flat-out terrific, and allows you to put together professional-looking tab sheets with notation. On top of all that, It's helped me tremendously with being able to visualize rhythm and time, and to begin to understand regular notation.  I'm actually doing a fair amount of writing with the software (you can assign parts, and "play" the track with a simple synthesizer). it's just terrific.

Now, I'm sitting here weighing the pros and cons of dropping "Game" from the title. Predator?

Too Schwarzenegger?

Long Time No See

Hello faithful readers...

Hello? Hello? anybody left?

It's been a very, very long time since I've consistently written for this blog. I'm going to try to be better, but I sincerely doubt I will ever get back to the "every weekday" schedule I was trying to maintain for a good long while, there. I will, however, try to maintain some consistency.

In the last month or so, I've been a little down. I missed an even-year San Diego Comic-Con for the first time since 2006, and it made me more sad than I expected. Now, on the flipside, I am attending the Star Wars Celebration in Anaheim next April. Disneyland and Jedi nerdishness with Mr. Sean H. and Ms. Leigh B. I'm expecting a good time, and hopefully I will finally score that Luke Skywalker green-blade FX series lightsaber I've been coveting.

So, there's that to look forward to.

Acting wise, I start rehearsals for Fail/Safe at Strawdog theatre on Sunday. I'm fairly excited about the show, and I think I have a very good part. That will run on off-nights (Sunday-Tuesday) from Sep 14 - Oct 14.






After that, I'm on my way back to City Lit for Father Ruffian: Shakespeare's Falstaff Story. Shakespeare...I'm doing Shakespeare again, playing a King again. Henry IV. That will run Jan 9th - to Feb 15th, 2015.

Y'know, it's funny, I spent so much time in undergrad working on style work, and Shakespeare, I really didn't overly care if I eve did it again. I've done a few shows here and there (All's Well That Ends Well, The Winter's Tale), but I've never really sought it out. I have to admit, it hold not the overriding excitement for me that I see in other theatre folk.

Just another play, just another playwright.

Musically, things are actually going really well. I was somewhat disappointed in the drum sound for the last Hayoth release, ...Getting Dollars Back. I mixed it too loud, with a lot of double-tracking, hoping to get a deep, booming drum track. What I ended up with was tinny, weak sounding drums that were really loud. They kind of overwhelmed the whole track. Which compounded the fact that I, bluntly, am not a drummer. As with most of my musical explorations, I am learning by doing.

I think that I've, at least, figured out how to mix the drums effectively. I think my playing is getting stronger, too, but that likely a matter of opinion. I have two tracks "finished," Burn and Warp. I have shared a preview of the earlier recording/mix of Burn. 



I have since junked this entire version, and started from scratch. I think it's better. I think the recording and mix is better.I'm hoping to get samples of both the new version of Burn and Warp up. Warp, in particular, has some interesting things...my first real stab at using keyboards.

A third track, Predator Game, is in progress. Which is a acoustic bed track with drums and electric lead. I managed to get a decent acoustic bed scratch track down over the weekend, and take a first few stabs at the drum track. I'm feeling good about it, and it seems like Uptown, as an album, is well on it's way. My goal is to have enough material to put it out by the end of the year.