Thursday, May 10, 2012

Stuck in My Head 5.10.12


The Things You Do
by Zakk Wylde

Color my world all black & blue
The hell you dish out
Comes back three-fold to you
Inside your riddled rotten core
I hope you get what you deserve
Worse & even more

How can you do the things you do?
You make Satan look like Christ
I swear its true
How could you do the things you do?

The Rolling Stones once sang a tune
Singing words of sympathy
Yet none were sung for you
If the lord of darkness seen you comin' his way
He'd get on his knees
And look to Jesus
and start to pray

Wednesday, May 9, 2012

OK, So I Am Adopted

Adopted twice, actually. Once by my mother, and her first husband, at birth, and again by my father when I was about five, after he married my mother. I have 4 half-sisters and a half-brother by adoption, not that we ever really got into the "half" thing growing up.

I have never, ever, not once, found this to be an issue in my life. I, frankly, am unconcerned about the identity or whereabouts of my birth parents. My parents, who raised me, are my parents. It's a TOTAL non-issue in my life. I realize that not everyone has that experience, but I also think that the reason it's a non-issue is because I, and my parents, didn't allow it to be.

Oh, sure a couple of, now highly regretted, "you're not my REAL ________" outbursts, but that's more about being a teenager, than who's loins I emerged from.

I have a general stance about life. It's not where you came from, it's who you are. It's how you use what you're given, rather than what you start with being the whole of your life. It's why I get conflicted about any entitlement programs. From big things like Affirmative Action to the smallest, like the continual argument about how many female, versus male, playwrights get produced. I, personally accept people by their actions, their work, but I'm also not naive enough to think everyone does that. Yet, I think any preferential treatment, no matter how well-intentioned, is ultimately saying that "do your best" is not good enough. That hard work and self-application are, ultimately, irrelevant, and therefore foolish.

Sorry, bit of a digression, there.

This all stems from a online petition (*sigh*) that Jamie Berke, an advocate for the deaf, and, I guess, adopted (a cursory Google search finds mainly deafness issues), put up about an adoption joke in The Avengers. You can find it here. It has made me livid. In as much as, here is a group I am very much a part of, and this petition is a thin-skinned whining response to a single line in a movie that, apparently, SHE HASN'T EVEN SEEN. All of her tweets about the film simply reference a review she read.

For the record, here's the dialogue, per IMDB:
Bruce Banner: I don't think we should be focusing on Loki. That guy's brain is a bag full of cats. You can smell crazy on him.
Thor: Take care how you speak. Loki is beyond reason, but he is of Asgard. And he is my brother.
Natasha Romanoff: He killed eighty people in two days.
Thor: He's adopted. 
OK, it's an adoption joke, and in the film, it's funny. It's also not about Loki being adopted so much as the strained relationship between he and his brother. It's also the ONLY reference to Loki's adoptive status, and Thor's presence in the film is explained by his adoptive family's sense of responsibility to him. I mean, it's not like he's repeatedly called out for his birthright. Hulk doesn't call him "puny adopted kid." Captain America isn't leading the Avengers into battle shouting, "let's get that guy who doesn't know who his real mother is!" The line itself strikes me as exactly the kind of thing an embarrassed brother would say about another.

Also, if you've seen the Thor film (which, I'm sure Ms. Berke hasn't), it's pretty clear that Loki's ambitions have little to do with finding out that Odin isn't his "real" father. A revelation that happens well after Loki's evil actions begin. Since the character's creation in the 60's, Loki's evil has never been simply because he was adopted, as Ms. Berke tries to assert.

Which isn't to say that Loki's actions aren't somewhat tied to his family life. He's overshadowed by his brother at every turn, and insanely jealous of Thor for it. While the revelation of his parentage feeds that, it's not the reason for it. That's brothers, not just adoptive brothers.

Let me put it into the framework of my situation. I always knew there was a difference between myself and my siblings. There was a distance, some jealously on my part for the fact they were brought up together, but that distance had nothing to do with my adoptive status. If I had been the biological child of my mother and father, the situation would be exactly the same. Sure, I could've chose to make my status as adopted the issue, but I didn't.

That's the rather long, geeky, reasoning behind what I'm about to say. Some people may be offended by it, but this is how I feel.

Jamie Berke, you do NOT speak for me, as a child of adoption. I, as a child of adoption, understand the concepts of perspective, context, and, yes, humor. The joke in The Avengers is only offensive if you allow yourself to be so insecure about yourself that you can't hear the word "adoption" without tensing up. Taken as it is presented in the film, it's truly funny, and it illuminates the relationship between Thor and Loki.

There's an old adage that nothing is offensive if it makes you laugh. I think that's true. Comedy, well, GOOD comedy, by it's nature is about approaching difficult subjects with a lightness of heart and a willingness to laugh at yourself. If everyone around you is laughing, and you're not, maybe the issue isn't with the joke, but with you.

So, this adopted child is telling Marvel that they don't owe me an apology, nor anyone else. If Ms. Berke and her crew wish to boycott the movie, more power to them, but they don't deserve an apology. There's nothing to apologize for. 

Tuesday, May 8, 2012

Stuck in My Head 5.8.12


Chilled
by Armored Saint

I say goodbye to my favorite time of day
Watch the sun drop and dusk fade
Another two dozen hours go by
And times going quicker at forty five
When I was young I wanted life to go fast
Always in a hurry to see what's next
Maybe if I could slow time down
I might shake loose this reoccuring frown

Vacuum me in a deep freeze

Calling a truce with this ghost that I fought
And just chill with what I got
Breaking it down to see where I stand
It's all pretty grand

Periodically I find myself pissed off
Though never quite sure about which I bug caught
Very few things in my life are bad
Some bad shit happens to that other half
Don't want to appear that I ain't grateful
It's all gravy when you terminate the bull shit
Hurdles that come up running the track
Are best dealt with a calm state of attack

Rest assured so be understood
It's all pretty good

Feet planted on my own holy land

Monday, May 7, 2012

Marvel's The Avengers

Lord, I hate the "Marvel's" in that title. It typifies much of what troubles me about Marvel's film output. The characters, rather than creative engines, are now commercial money-machines. A situation that I can only see continuing with the ownership by the Disney overlords....

That said, somehow, despite their tight-fisted ways, Marvel has managed to rope truly talented people into their motion picture factory. Artists who are able to work within the company's rather rigid commercial framework and generate truly entertaining material. Perhaps Kevin Feige and his team have learned from the Iron Man 2 stumble, wherein building the shared "Marvel Movie Universe," and laying the groundwork for Marvel's The Avengers, basically overwhelmed the movie.

That's a macro view of the situation, honestly, and sounds much harsher than I mean it. Ultimately, The Avengers is a film that shouldn't really exist, yet it does. Joss Whedon shouldn't be directing a HUGE tent-pole summer blockbuster, but he did. Truth to tell, the film shouldn't be any good. Robert Downey Jr's star power should've overwhelmed the rest of the cast. The Hulk hasn't REALLY worked twice before on film. Too many characters, etc.

But it does. Marvel's The Avengers does work. Like gangbusters.

The film has a spark and energy that is very hard to deny, the performances are all winners, except Samuel L. Jackson,. who, once again, just kind of puts on his "badass" face and wanders around. I was particularly worried that Downey would just bulldoze the rest of the cast, and Whedon's comments about downey's first words to him being "now you know Tony has to drive this thing, right?" didn't ally that fear.  While Stark does still end up pretty central to the proceedings, the rest of the cast wisely realizes that the best defense is to not even run with him. Chris Evans once again is letter-perfect as Steve "Captain America" Rogers, and Chris Hemsworth is possibly even more winning as Thor than he was in his own film. Scarlett Johanssen finally comes into her own as Black Widow, and Jeremy Renner is fine as Clint "Hawkeye" Barton (although the man is a HORRIBLE bowman).

The real winner in this team, aside from Whedon, is Mark Ruffalo as Dr. Bruce Banner, and, for the first time, The Hulk himself. It's no exaggeration to say that the Hulk steals the whole show. Ruffalo's low-key performance just brings the ball home. If there is truth to the rumors that the popularity of the Hulk (and his merchandise - More of that "Marvel's" attitude) may lead to another attempt at a film, you've finally got the star to make it work.

There are things that don't work. I don't think there's any spoiler in saying that an alien invasion occurs, arranged by Thor's adopted brother Loki (the marvelous Tom Hiddleston - a bravura turn). The Chitauri are faceless, bland, and ultimately not all that threatening. Oh, yeah, they cause lots of spectacular destruction and mess, but when you see them getting taken down left and right by a guy with a bow and arrow, and a gal with a couple of semi-auto pistols...it kinda undercuts the threat. Plus, they have ZERO personality. No one seems in charge of what they're doing. Loki doesn't seem like he's commanding the attack. I'd have liked a 3rd act threat that didn't feel like a part of a mass. Perhaps a Chitauri general for Captain America to engage one-on-one?

It's a minor quibble. One that really only came to me after I saw the film a second time. Joss keeps the action fast a furious, and the one-liners flying. It's all so well executed and full of pep that you just have to let the few weak points slide. Marvel's The Avengers is a rousing start to the Summer movie season, and just a ton of fun.

Well worth your time and money, but I can safely say, having seen it both 3-D and 2-D, that 3-D adds nothing to the experience. Save the $5, and don't worry about it. It's no Avatar or Hugo, where the 3-D works wonderfully, and adds to the film.

Thursday, May 3, 2012

Stuck in My Head 5.3.2012



However Much I Booze
by The Who

I see myself on T.V., I'm a faker, a paper clown
It's clear to all my friends that I habitually lie; I just bring them down
I claim proneness to exaggeration
But the truth lies in my frustration
The children of the night, they all pass me by
Have to drench myself in brandy
In sleep I'll hide
But however much I booze
There ain't no way out
There ain't no way out
I don't care what you say, boy
There ain't no way out

I lose so many nights of sleep worrying about my responsibilities
Are the problems that screw me up really down to him or me
My ego will just confuse me
Some day it's going to up and use me
Dish me out another tailor-made compliment
Tell me about some destiny I can't prevent
But however much I squirm
There ain't no way out
There ain't no way out
I don't care what you say, boy
There ain't no way out

Won't somebody tell me how to get out of this place?!

Then the night comes down like a cell door closing
Suddenly I realize that I'm right now, I'm on the scene
While sitting here all alone with a bottle and my head a-floating
Far away from the form and the conscience going on with me
And on with me, and I don't care what you say
There ain't no way out
There ain't no way out

Now the walls are all clawed and scratched
Like by some soul insane
In the morning I hungoverly detach myself
I take no blame
I just can't face my failure
I'm nothing but a well fucked sailor
You at home can easily decide what's right
By glancing very briefly at the songs I write
But it don't help me that you know
There still ain't no way out
Won't somebody help me?
I don't care what you say, boy
There ain't no way out

There ain't no way out
There ain't no way out
There ain't no way out

Give me the key, lock it away

There ain't
There ain't
There ain't no way out
There ain't no way out
There ain't no way out

Wednesday, May 2, 2012

I Thought I'd Have the Summer Off

It's funny how, when you don't go looking for things, they tend to come to you. Of course, not always in the way you expected or wanted.

I had planned on remaining free of theatre commitments for the summer season. My plan was to focus on music projects, take the next part of The Artistic Home's Meisner program, and leave myself time for trips to Boston and, of course, San Diego for Comic-Con. That's...sorta...held.

The folks at Steep Theater Company asked me to audition for their upcoming show, Moment, which was very, very exciting to me. Alas, the opening weekend is when I'm in San Diego. I went back to them with true thankfulness that they thought of me, but I was really sad to say I couldn't do it.

Ultimately, I've been asked to understudy 2 roles in the show. Which, despite the fact I'm not a huge fan of understudy jobs, I'm very excited about. Steep is an exciting company for me, and I'm hoping to make a good impression. Get my foot in that door.

It did give me half a pause about going to Comic-Con again. This year has been incredibly aggravating on a number of levels. The long delay in opening ticket sales (at least from where it was the last time I went, in 2010), made getting tickets a stressful mess. Ultimately, by some miracle, we scored 4-day passes, with preview night. Which makes us luckier than most.

Of course, then came the damn hotel debacle. I've been to San Diego before, this year will be my 4th trip. I've always managed to get a hotel downtown, somewhere. The Doubletree has been the go-to location. This year, with three of us vying for rooms, two of us were shut out completely, and the third...got a room in Mission Valley.

Now, on one level, I'm just happy we got a room, and it's on a 24-hour shuttle route. Not to mention the public transport light-rail option. Plus, with the near-miracle of getting a full-show pass, I couldn't walk away from the trip. On the other hand, I'm struck again by how much of a nightmare going to San Diego has become. Once you're there, of course, the stress falls away and it's just a good time. It's the 6 months leading up to going that becomes unbearable, at times.

Personally, I'm going to try to talk my brothers-in-geekdom into the New York Comic-Con in 2014. San Diego has just gotten too big, and the lack of adequate hotels and room in the convention center has set off a series of dominoes. I understand the need to control the amount of people, I do, but it's making the whole experience kinda ugly. I never thought I'd actually wish for Comic-Con International to pack up and leave San Diego, because the city is beautiful and fun.

But moving the show to, say, Las Vegas looks really good, right now. I also can't help thinking of a quote from the Las Vegas Chamber of Commerce representative when they were vying to take over the contract from San Diego a couple of years ago, "I have more hotel rooms on one corner than San Diego has in the entire city" (paraphrasing). I believe their convention center is larger, too.

I understand the nostalgic vibe. Like I said, I love going to San Diego. Comic-Con International has been in San Diego since day one, with a group in a basement somewhere. You don't walk away from that history easily, and a move to Las Vegas, in particular, would result in the convention sorta being swallowed by Vegas itself. When the convention rolls into San Deigo, it's like a little "United Nerdom" erupts in the city. You cannot miss what's going on. The whole downtown area shows signs of the influence. Plus, you can almost guarantee you'll run into comic pros on a nightly basis, because they congregate in specific areas. With Vegas, everyone would be thrown to the winds.

So, that's a downside, but now it feels like the SDCC organization is using this lack of space as a marketing tool. Driving demand WAY past any reasonable supply, using the resulting "sold out in an hour and half" stories to up it's media footprint, and perceived power in the pop-culture realm. It feels like this is all being orchestrated in order to guarantee a fan frenzy every year, when you could just move to Las Vegas (or any of a few other options), who clearly want the show, and actually meet the demand. It feels somewhat sketchy.

Anyway, we're going. (Long digression, there, I know.) Hell or high water. I'm behind where I usually am on my saving for this trip, and that makes me nervous, as usual. It'll all work out, it always does.

The rest of the Summer is coming together. The music project is moving forward, though I am still waiting for confirmation on what the schedule will be for the next Meisner class. It just amuses me, my plan for "taking it easy" is basically out the window.


Tuesday, May 1, 2012

Fanboy Insecurity Run Rampant

Never underestimate the irrational fanboy need to be "right." It makes sense, honestly. Most of your hard-core fanboys (certainly myself) grew up feeling outside of anything and everything that would be considered "mainstream."

Yet, in recent years, we have this situation where fanboys have become a driving force in pop culture. With Hollywood falling over itself to make big-budget hay out of almost every cartoon series or comic book I grew up with, my generation of nerdy-types are feeling like the belle of the ball. Everybody wants in our pants...to grab our wallet.

The fan reaction to this sort of attention is always the same, and we've seen it over and over, and over again. A sense of entitlement, a sense of ownership. It's good, honestly, in small doses, breeding a deep affinity for these characters and properties. However, I can't think of a single case where this fan-property relationship hasn't turned dark.

Yeah, it's the UK poster, what of it?
The latest place where I see this is over on Rotten Tomatoes, in regards to the critical response to The Avengers (or, I guess the official title is Marvel's The Avengers - there you see Disney ownership in action). At the time I write this blog, on May 1st, 3 days before opening on May 4th, the "tomatometer" rating for the film is 94%. An excellent score, by any rational estimation.

Right now, there are five "rotten" reviews, with 82 "fresh." Now, I look at that and think, "well some people just don't enjoy this kind of entertainment." Part of my growing up as a fanboy made me 100% certain of two things. One is that I like what I like, and I shouldn't ever be embarrassed by that. Secondly, that not everyone is going to like what I do, and...so what?

I love the hell out of The Adventures of Buckaroo Banzai, Across the Eighth Dimension, and, when that movie came out, virtually no one else did. Trust me, I've rarely felt as alone as I did sitting through that movie - twice - in a 500+ seat Cinerama theater with 3 other people.

But I loved that I was alone. I loved that Buckaroo and the Hong Kong Cavaliers were something for me and just a few others. No internet to connect with those folks. The movie was, and is, quirky, weird, and not for everyone. That's part of why it's awesome.

Now obviously, The Avengers (screw you, Marvel's) is supposed to be a much more populist entertainment. Yet, I still wonder, what the hell happened to the sense of the individual in fandom? Why do we see fans getting in such a twist over the film "losing" it's 100% Tomatometer rating?

Worse yet, we see fandom as a offshoot of our current political discourse. Comments on every, single "rotten" review call for that critic to be "removed" (i.e. censored) from Rotten Tomatoes. Or, long, involved, overly fannish diatribes as to why the review is wrong.

I was particularly annoyed by the responses to Stephanie Zacharek's only barely negative response to the film in at Movieline. Where fans, including "Marvel Fan" (*sigh*) take umbrage with Ms. Zacharek's comparison of the film to the nostalgia-fests The Artist and Midnight in Paris (which, to be fair, it's pretty clear she likes more). Why in God's name would a fan be offended at that? Any mainstream superhero movie is, by it's nature nostalgic! If you're offended by that, then you better be offended by the entire way both Marvel and DC Comics have handled their publishing for the past twenty to thirty years!

Critics are not supposed to make you, or the people who made the film, feel better. They're supposed to honestly tell you how they felt about watching the movie in question. Stop acting like their job is to reinforce your personal self-worth by telling you how right you are.

The silliest damn thing about all of this is that the "94% Fresh" rating is never going to stand. Never. Once the mainstream press reviews start coming hot and heavy on Thursday, that percentage is going to drop like a rock. I don't think it's going to fall into "Rotten" territory (below 50%), but I suspect, ultimately, at a guess, somewhere in the 80% range. Respectable, even great, and the film is gonna make a bazillion dollars. With that pretty much assured, I don't see why people fixate on what Cole Smithey thinks. I mean, he's a pretentious twat, but what difference does that make to me?

I also get somewhat bothered about how this impacts my personal interactions. I am more of a fan of Christopher Nolan's Batman films than I am of the "Marvel Movie Universe," even if I enjoy both of them tremendously. I think Nolan makes insanely commercial art, and Marvel makes extremely artful commerce. I wouldn't miss either, but I'll always prefer the former. Upon seeing the latest trailer for Nolan's The Dark Knight Rises, I shared it, and my excitement about it, on Facebook.

I was particularly hit by comments that I made being labeled divisive. What I wrote was, "I'm gonna be 100% honest with you folks...Every, single time I see something from this, I stop caring about Avengers." That's truth. I didn't say "Avengers sucks." Perhaps I could've elaborated, explained more, I'll admit, but after being really excited to see The Avengers on Thursday, all it took was less than three minutes of The Dark Knight Rises to make me absolutely more excited to see that.

You may disagree. That's perfectly OK by me. I like what I like, and not everyone is going to like what I do.